Maybe I Can Trust Others Never Again Comic
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V tips for creating brilliant comics
Comic artist Fin Cramb shares his essential communication for cartoon comics
You've got an idea, you've got a story, you've got a main grapheme - y'all're fix to go. Only how to you brand sure your comic looks equally good as information technology should? Here are a few top tips for getting your head around drawing a brilliant comic.
Give your characters something special
It doesn't matter whether you lot have two characters or 100, you demand to find a way to make the of import people in your comic stand up out. And the easiest way to practise that is to give them an heady, noticeable look.
When you're adapting from a novel, check to run across if in that location're any stiff descriptions of the characters to aid y'all. Some people like to be loyal to the original writer's clarification, and some people similar to reinvent characters their own way; I think it'southward upwardly to y'all!
Maybe your main grapheme always wears a chapeau. Perhaps they only ever dress in red. Maybe they take a pet lizard that sits on their shoulder or sparks come out of their pilus! Anything goes, as long equally your reader will always recognise them, even in a crowd.
Use your colours to modify scenes and places
There's a good chance the activeness in your comic will accept identify over a couple of unlike locations at a few dissimilar times. Information technology might start in a queue to run across a movie and end in outer space! And then how practice you prove when you've moved from i time/place to another?
This is where color is your best friend. You tin use information technology to separate scenes in the reader'south minds and give everything a distinct look. And then for a daytime exterior scene, you'd want blue skies and bright colours. In a house, yous might give everything a pink, warm glow. At night, take all the colours down a notch into deep bluish or imperial (merely avert using too much black!).
Choice the right spots for speech bubbles
Non all comics have speech bubbles – some comics take no words at all! – but if you're planning on calculation dialogue, narration or interior monologues to your story you demand to take a call back well-nigh where your words will proceed the page.
A actually common mistake for new comic artists is to pack their panels with pictures, leaving no room for speech communication. Avoid this easy mistake by marking out space for bubbles earlier you start drawing. Usually, it'southward easiest to put spoken communication at the top or bottom of a panel, keep the bubble shut to the character who's speaking - and be sure to point the speech communication chimera's tail toward their mouth.
Make folio turns heady
One of the all-time and most unique things about comics is the fact that you lot tin control when people meet what'south coming side by side by putting heady moments afterward the plough of a page. This is the perfect moment for changing scene or location and it's besides an excellent time to add together in a lilliputian cliff hanger – so your reader really wants to encounter what's about to happen adjacent.
For really big moments, surprises or a twist, have your folio end on a dramatic note and plough into a splash folio (that'south a page that has a big paradigm rather than lots of panels, so you can really highlight the action).
Requite yourself space to practice
Drawing a comic is loads and loads of fun merely nosotros all know that sometimes that blank folio can be a bit frightening. What if you go the costume of your main character wrong? Or their face goes wonky? Or you take an accident with your paints and the whole affair is ruined?
Don't panic. Instead, make skilful use of whatever scanners, photocopiers or tracing newspaper you have access to. If you can scan or photocopy your pencil drawings, you lot can work on a re-create to try experiments, add darker lines, put in the finishing touches and go wild with colour - without worrying virtually ruining your original cartoon.
The illustration is a series of panels from J. Grand. Barrie's Peter Pan: The Graphic Novel, drawn by Stephen White and coloured by Fin.
Source: https://www.scottishbooktrust.com/articles/five-tips-for-creating-brilliant-comics
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